Sarah Ingram

Sarah’s many theatre credits include Mrs Lovett in Sweeny Todd (English Theatre Frankfurt), Miss Jane in Floyd Collins (Wilton’s Music Hall), Paulette in Legally Blonde (Curve Theatre), Grand High Witch in The Witches (Curve Theatre), See What I Wanna See (Jermyn Street Theatre), Stella in Follies (Toulon), Josie in Taboo (Brixton Clubhouse), Mrs Van Daan in The Diary of Anne Frank, Miss Hannigan in Annie (West Yorkshire Playhouse), Roadshow (The Chocolate Factory), Hannah Owens in Flashdance (Shaftsbury Theatre), Miss Adelaide in Guys and Dolls (Kilworth House), Mrs Blair in Inherit The Wind (Old Vic), Ursula in Much Ado About Nothing (Regent’s Park), Sarah/Naomi in Imagine This (New London Theatre & Plymouth Theatre Royal), Mrs Pearce in My Fair Lady (Singapore/Kuala Lumpa), Lina Lamont in Singing in the Rain (Hereford Court Yard), Marge McDougal in Promises Promises (Sheffield Crucible), Mrs O’Brian in Showboat (Royal Albert Hall), Felicia in Murderous Instincts (Savoy Theatre), Dinah Murphy in South Pacific (Royal National Theatre), Sonia Walsk in Neil Simons’ They’re Playing Our Song (The English Theatre of Frankfurt), Therese Talien in the original West End production of Napoleon (Shaftesbury Theatre), Mrs Cratchit in A Christmas Carol (Derby Playhouse), Maddie in Women Laughing (Not The National Theatre Tour), Sarah’s own one woman show Portrait of a Lady (New End Theatre, Hampstead), The Dressmaker in Spin (Royal National Theatre Studio), Sylvie in Oklahoma! (Royal National Theatre and Lyceum Theatre), Anya in A Brief Affair (The Bridewell Theatre) and Catherine in Martin Guerre (Prince Edward Theatre), Mona in Chicago (Leicester Haymarket) and Rosie in Cabaret (The Sheffield Crucible).

National tours include Scrooge, Minnie Faye in Hello Dolly, Alternate Laurey in Oklahoma! and Anytime Annie in 42nd Street.

Other theatre work includes BBC Proms Steven Sondheim’s Celebration at the Albert Hall, Mam in the workshop of Grimm Tales, a demo track recording for the musical Ha’Penny Bridge and extensive cabaret work at home and abroad.

Sarah was also Director of Curve Young Company, where she directed the first fully inclusive 109 strong production of Fiddler on The Roof and The Siren Club. Her other directing credits include Annie, Rags, Oliver, Grease and Guys and Dolls.